Close encounter with design or exploring the unknown? Mauro Lipparini asks the question that design has the ability to answer.
It’s the unknown that captures our imagination. Knowing that not everything has been explained, or can be explained. It keeps us curious, fascinated and questioning. Roswell is the unknown and Lipparini’s design takes us there.
This low table is an enigma of form and materiality, where glossy bronze or black metal meets the delicate tension of marble and glass. A surface that appears to float, suspended between reality and the imaginary. Every edge, every reflection, a whisper of something more—something waiting to be discovered.
The unknown, it keeps us guessing, it makes Mauro Lipparini’s design stay true to its name..
Close encounter with design or exploring the unknown? Mauro Lipparini asks the question that design has the ability to answer.
It’s the unknown that captures our imagination. Knowing that not everything has been explained, or can be explained. It keeps us curious, fascinated and questioning. Roswell is the unknown and Lipparini’s design takes us there.
This low table is an enigma of form and materiality, where glossy bronze or black metal meets the delicate tension of marble and glass. A surface that appears to float, suspended between reality and the imaginary. Every edge, every reflection, a whisper of something more—something waiting to be discovered.
The unknown, it keeps us guessing, it makes Mauro Lipparini’s design stay true to its name..
Close encounter with design or exploring the unknown? Mauro Lipparini asks the question that design has the ability to answer.
It’s the unknown that captures our imagination. Knowing that not everything has been explained, or can be explained. It keeps us curious, fascinated and questioning. Roswell is the unknown and Lipparini’s design takes us there.
This low table is an enigma of form and materiality, where glossy bronze or black metal meets the delicate tension of marble and glass. A surface that appears to float, suspended between reality and the imaginary. Every edge, every reflection, a whisper of something more—something waiting to be discovered.
The unknown, it keeps us guessing, it makes Mauro Lipparini’s design stay true to its name..
Close encounter with design or exploring the unknown? Mauro Lipparini asks the question that design has the ability to answer.
It’s the unknown that captures our imagination. Knowing that not everything has been explained, or can be explained. It keeps us curious, fascinated and questioning. Roswell is the unknown and Lipparini’s design takes us there.
This low table is an enigma of form and materiality, where glossy bronze or black metal meets the delicate tension of marble and glass. A surface that appears to float, suspended between reality and the imaginary. Every edge, every reflection, a whisper of something more—something waiting to be discovered.
The unknown, it keeps us guessing, it makes Mauro Lipparini’s design stay true to its name..
Incontro ravvicinato con il design o esplorazione dell’ignoto? Mauro Lipparini ci pone una domanda a cui il design riesce a rispondere. È l’ignoto a catturare la nostra immaginazione. Sapere che non tutto è stato spiegato, o che non tutto può essere spiegato ci rende curiosi, affascinati, e desiderosi di conoscere. Roswell è l’ignoto e il design di Lipparini ci conduce proprio là.
Questo tavolino basso è un enigma di forma e materialità, dove il bronzo lucido o il metallo nero si incontrano con la delicata tensione del marmo e del vetro. Una superficie che sembra fluttuare, sospesa tra la realtà e il mondo immaginario. Ogni bordo, ogni riflesso sono un sussurro di qualcosa di più—qualcosa che aspetta di essere scoperto.
L’ignoto ci fa restare con il fiato sospeso e rende il design di Mauro Lipparini fedele al suo nome.
