Il re della corte, un’icona culturale degli anni 80 e 90. Solo dicendo il nome si evoca un’immagine, qualcuno che ha sconfitto la gravità, una persona che ha dominato il suo spazio e quelli attorno a lui.
Quando Giuseppe Viganò ha concepito l'idea di Jordan, non si è reso conto che un nome così iconico avrebbe potuto produrre un design così potente. Un design che ha lo stesso potere di sfidare le aspettative e di essere simbolico. Jordan è una dichiarazione, un principio di grande design e di grande costruzione. In effetti, la sua unicità consiste nel fatto che sfida le definizioni standard, ritagliandosi un proprio percorso quando si tratta di creare lusso nel mercato delle poltrone. Non aveva bisogno di essere grande, quindi non lo è. Non aveva bisogno di materiali diversi, ma li usa comunque. Le cuciture dello schienale diventano un dettaglio glamour, la scocca è in poliuretano e la base è dotata di un meccanismo di ritorno. Infine, può essere rivestita in tessuto o in pelle.
Sfidare le aspettative è il segreto e Jordan lo fa con facilità.








The king of the court, a cultural icon of the 80s and 90s. Just say the name and you have an image, someone who defied gravity, someone who dominated his space and those around.
So when Giuseppe Viganò took on the idea of Jordan, little was he to realise that such an iconic name could produce such a powerful design. A design that equally holds a power to challenge expectations and to be as symbolic.
Jordan is a statement, a principle of great design and great construction. In fact, its uniqueness is that it is defying standard definitions, carving its own path when it comes to creating luxury in the armchair market. It did not need to be big, so it is not. It did not need multiple materials, yet it uses them. The stitching of the backrest becomes a glamorous detail, the shell is made of polyurethane and the base is equipped with a return mechanism. Finally, it can be upholstered in either fabric or leather.
Challenging expectations is the secret and Jordan does it with ease.








The king of the court, a cultural icon of the 80s and 90s. Just say the name and you have an image, someone who defied gravity, someone who dominated his space and those around.
So when Giuseppe Viganò took on the idea of Jordan, little was he to realise that such an iconic name could produce such a powerful design. A design that equally holds a power to challenge expectations and to be as symbolic.
Jordan is a statement, a principle of great design and great construction. In fact, its uniqueness is that it is defying standard definitions, carving its own path when it comes to creating luxury in the armchair market. It did not need to be big, so it is not. It did not need multiple materials, yet it uses them. The stitching of the backrest becomes a glamorous detail, the shell is made of polyurethane and the base is equipped with a return mechanism. Finally, it can be upholstered in either fabric or leather.
Challenging expectations is the secret and Jordan does it with ease.








The king of the court, a cultural icon of the 80s and 90s. Just say the name and you have an image, someone who defied gravity, someone who dominated his space and those around.
So when Giuseppe Viganò took on the idea of Jordan, little was he to realise that such an iconic name could produce such a powerful design. A design that equally holds a power to challenge expectations and to be as symbolic.
Jordan is a statement, a principle of great design and great construction. In fact, its uniqueness is that it is defying standard definitions, carving its own path when it comes to creating luxury in the armchair market. It did not need to be big, so it is not. It did not need multiple materials, yet it uses them. The stitching of the backrest becomes a glamorous detail, the shell is made of polyurethane and the base is equipped with a return mechanism. Finally, it can be upholstered in either fabric or leather.
Challenging expectations is the secret and Jordan does it with ease.








The king of the court, a cultural icon of the 80s and 90s.
Just say the name and you have an image, someone who defied gravity, someone who dominated his space and those around.
So when Giuseppe Viganò took on the idea of Jordan, little was he to realise that such an iconic name could produce such a powerful design. A design that equally holds a power to challenge expectations and to be as symbolic.
Jordan is a statement, a principle of great design and great construction. In fact, its uniqueness is that it is defying standard definitions, carving its own path when it comes to creating luxury in the armchair market. It did not need to be big, so it is not. It did not need multiple materials, yet it uses them. The stitching of the backrest becomes a glamorous detail, the shell is made of polyurethane and the base is equipped with a return mechanism. Finally, it can be upholstered in either fabric or leather.
Challenging expectations is the secret and Jordan does it with ease.







